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Keeping It Unreal

Black Queer Fantasy and Superhero Comics

#58 in series

ebook
1 of 1 copy available
1 of 1 copy available

Winner of the 2023 Lambda Literary Award in LGBTQ+ Studies!
Explores Black representation in fantasy genres and comic books
Characters like Black Panther, Storm, Luke Cage, Miles Morales, and Black Lightning are part of a growing cohort of black superheroes on TV and in film. Though comic books are often derided as naïve and childish, these larger-than-life superheroes demonstrate how this genre can serve as the catalyst for engaging the Black radical imagination.
Keeping It Unreal: Comics and Black Queer Fantasy is an exploration of how fantasies of Black power and triumph fashion theoretical, political, and aesthetic challenges to—and respite from—white supremacy and anti-Blackness. It examines representations of Blackness in fantasy-infused genres: superhero comic books, erotic comics, fantasy and science-fiction genre literature, as well as contemporary literary "realist" fiction centering fantastic conceits.
Darieck Scott offers a rich meditation on the relationship between fantasy and reality, and between the imagination and being, as he weaves his personal recollections of his encounters with superhero comics with interpretive readings of figures like the Black Panther and Blade, as well as theorists such as Frantz Fanon, Eve Sedgwick, Leo Bersani, Saidiya Hartman, and Gore Vidal. Keeping It Unreal represents an in-depth theoretical consideration of the intersections of superhero comics, Blackness, and queerness, and draws on a variety of fields of inquiry.
Reading new life into Afrofuturist traditions and fantasy genres, Darieck Scott seeks to rescue the role of fantasy and the fantastic to challenge, revoke, and expand our assumptions about what is normal, real, and markedly human.

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    • Publisher's Weekly

      October 25, 2021
      Berkeley scholar Scott (Extravagant Abjection) reflects on the importance of fantasy in comic books in this brisk and insightful meditation that examines fantasy “especially as it appears in the struggles against antiblackness and racism... and the fight against homophobia.” The author breaks down his analysis into three chapters: “I Am Nubia” is a close reading of a 1973 Wonder Woman cover that introduced the superhero’s Black twin, Nubia, which Scott recounts first seeing as an eight-year-old. The second, and strongest, section, “Can the Black Superhero Be?” looks at the history and evolution of superheroes including Black Panther, Blade, and Luke Cage, as well as Captain America’s racistly caricatured Whitewash Jones. “Erotic Fantasy-Acts” considers pornographic comics, which he analyzes in the context of the white supremacist ideology that informs mainstream comics: “Porn comics with black male superhero figures,” he writes, “find ways to represent the blackness of their protagonists not as a contradiction of the superhero concept... but as the source of their superpower.” Along the way, Scott seamlessly incorporates the work of such scholars and activists as Frantz Fanon, Alan Moore, and Frederic Wertham. For readers with an academic interest in the topic, this analysis is rich and rewarding.

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  • English

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